Showing posts with label ancient civilizations. Show all posts
Showing posts with label ancient civilizations. Show all posts

Friday, July 31, 2020

Still Being~Being Still Series and ferox virago (Art in the time of COVID pandemic)

(no longer in inventory)
Still Being~Being Still 1, 2, 3
Acrylic on canvas w Posca pen, each 9"x6"

During our time of attempting to stay physically healthy during the pandemic by hunkering down in our living spaces, I and so many of my artist friends, found ourselves challenged to find ways to continue creative expression while so many other thoughts and emotions were inhabiting our beings. Finally, after days and perhaps weeks of distraction, I broke through and into my creative expression by getting out my sketchbook and drawing ancient symbols onto the pages. In one of my researches of symbols, I found a Goddess Against Disease*
This goddess, as well as symbols for stillness, world spirit, scarab, spiral, were drawn into the paintings that I was finally able to create. I had originally intended that these marks be suggestions of what might be found in cave drawings, so that the paintings were to give us a sense of place outside the cave with a glimpse of what's inside the cave. It was only later, while looking at the formations of the outsides of the caves, that I realized that these were actually self-portraits--my head and depictions of my being during this time. They reflect my concern for not only humanity across the globe, but also for the thriving of and connectedness of our humanity. 

I had been looking back at expressions of earlier cultures and was placing myself into their connectedness at the same time of trying to stay present to the currents swirling in our world at this time. While ancient cultures expressed their values via cave drawings and rock drawings, in today's culture, we were on social media reaching out to stay connected, sharing our humor, our fears, our bringing of our creative spirits to make sense of how our instability/stability were being exposed. Ultimately, this series is about holding space for connectedness of past to present to future, holding space for contemplation, holding space for being.

*Originally, I gave thanks to the North American tribes who gave us "Unkatahe, Goddess Against Disease" as I used her in my art. Later, I thought it best to create my own symbol for protection. Hence, "ferox virago" Latin, meaning fierce female warrior
I use "female" here as acknowledgement of the Divine feminine, accessible to all, rather than as a delineating reference to gender. ferox virago carries the symbols of the downward pointing triangle, circle, spiral (in beginnings are endings; in endings are beginnings), stillness, world spirit, scarab (eternity), water, and the turtle (longevity, perseverance) as familiar, at the crown, powerful, spiral pronged antlers, all solidly balanced on pointed hooves. I drew her often on subsequent days, drew her on rocks, posted her on social media, imbuing her and she me with sustainable energy of being.

Tuesday, July 21, 2020

"MythMakers" Series CD Cover Art for "Variant" by AeTopus (Bryan Tewell Hughes)


MythMakers~Altar 3 (no longer in inventory)
MythMakers~Altar 1
MythMakers~Altar 3
MythMakers~Trove 3
MythMakers~Trove 2 (no longer in inventory)
MythMakers~Trove 1
MythMakers~Spiritscape 1(no longer in inventory)
MythMakers~Spiritscape 2(no longer in inventory)

 Altar and Trove pieces are 18"x18", Spiritscape pieces are 16"x20", mixed media and acrylic on panel board, CD art for AeTopus "Variant" planned for release August 2020. 

When commissioned by Bryan, he gave me the titles of the cuts for the CD and shared with me the concept of an ancient culture sitting around the evening's fire telling stories of their mythology. He gave me the drawing of the skeleton and skulls with feather. And I took it from there. I kept that narrative as well as the titles in mind as I worked, adding the idea of altars being created by the members of this culture and the pieces of the altars coming from a trove, collections of rust and bones and ephemera. The two last pieces, created for the back cover and inside back were inspired by Cappadocia formations--a combination of nature and human structures. This was created to reference the landscape/spiritscape where this ancient culture lived. The Variant, as conceived and depicted in the art, is the skeleton with the addition of the copper wire snake to represent the life force and what became known as the kundalini in later civilizations.

For more information about the music and other CDs by AeTopus, check out AeTopus.com, Spotify, and YouTube. I am a devoted listener of AeTopus music and play it often in my studio as I paint. This music is well valued and appreciated among the music community and has received awards and nominations--and rightly so. Such a delightful collaboration, a coming together of art and music.