This was me playing with a heavy layer of gesso, mark-making tools, and a sanding to bring the light back in and for texturing. It was great fun to discover the effects that sanding the painted surface had on the painting--particularly for restoring the light around the edges--that area that threatened to get too dark for meaning-making. Always the challenge for me when working in a series of three is what color to have predominant and complimentary. I have quit being so thoughtful about it when I begin and have just started diving in and seeing what emerges. Both methods have their issues. So, of course, do I.
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